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about
‘At the Cecil’ is the final single by Auld Gods taken from their debut album ‘Older, Wiser?’
It’s the story of the Cecil Hotel in Los Angeles. Built in 1924 the hotel was the last word in luxury attracting a moneyed clientele as Los Angeles boomed. Following the Great Depression, the hotels fortunes took a tumble, and it eventually became a source of low cost accommodation as poverty drove the surrounding area, in the centre of LA into a haven for the hopeless known as Skid Row.
During this time the hotel gained a reputation following a series of lurid homicides which were greedily taken up by the tabloids, the most infamous being the Black Dahlia. Things didn’t improve in the 80s and 90s as the hotel guests included serial killers Richard Ramirez and Jack Unterweger.
The hotel attempted to relaunch itself as a centrally located place for backpackers in LA. At this time a student from Vancouver, Elisa Lam, staying there disappeared sparking a frantic search eventually culminating in the discovery of her body in one of the hotels water storage towers. A CCTV of Elisa behaving in a strange way in the hotel elevator want viral on the internet and a stream of theories were floated by frenzied YouTubers. The truth was in the end straightforward and deeply sad in that it was believed that she climbed into the tank during a psychotic episode resulting from under medication for a severe bipolar disorder.
The song captures the febrile atmosphere during Elisa’s disappearance starting with a simple piano riff and eventually building to cacophony of guitars. Davy’s vocals build during the song with a background of treated guitars, bass synthesizers and a simple bassline slowly rack up the tension.
lyrics
Lurking in shades of darkness,
Looking for an alibi,
Look at how the still blue waters,
Lie
Sitting in the marble lobby,
No one wants to know my mind,
See how that door’s ajar and,
Here I talk too much,
I can only ascertain the facts,
I don’t know what’s going down,
Percy went and left his family,
Stay on Main and learnt to die
And when you’re calling
Just don’t look down,
At the Cecil, there’s only one way in and,
There’s only one way out,
At the Cecil, there’s only one way in and,
There’s only one way out
Where were you when we were looking,
Where were you when the lights went out,
Neon through the stained-glass window,
Flickers in the universe,
Pressing every single number,
Climbing higher than the sky,
Floating in the cold still water,
But who put the lid back down?
And when you’re calling
From La La Land,
At the Cecil, there’s only one way in and,
There’s only one way out,
At the Cecil, there’s only one way in and,
There’s only one way out
There’s only, there’s only, there’s only, one way,
There’s only, there’s only, there’s only, one way,
There’s only, there’s only, there’s only, there’s only, there’s only, there’s only, there’s only one way out……
credits
released October 28, 2022
Davy McLarnon: Vocals
Marty Williamson: Guitars, Bass
Mike Williamson, Bass Synth, Programming
Engineered by Will Davies/Auld Gods
Mixed at River Studios Southampton,
Mastered by Jason Mitchell at Loud Mastering
Auld Gods are a loose collective of Norn Iron musicians forged in the original Belfast New Wave in the late
70s.
Marty Williamson plays guitars having previously worked with the Psychedelic Furs and Sinead O'Connor. Davy McLarnon on vocals is a local musical hero. Mike Williamson does some stuff as well....more
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